January 3rd...Giant Baby New Year wishes visitors to the plaza at Sanlitun success in the new year. After we left 798, Bill joined us for some fun at The Saddle Cantina followed by a stop at Franks.
Tuesday, January 6, 2009
798 Art Zone
Only 2 more days before we would head back to school, so we wanted find something to do Saturday. On the Beijing City Weekend website we found two exhibits at the Paris Beijing Photo Gallery at 798 Art Zone. It was a relatively warm day (relative to Minnesota that is), so we put on our leggings (in Dave's case that's longjohns), bundled up well, and started walking. Dave asked me to predict how long it would take to get there. I said half and hour, forgetting that was how long it took me to walk from 798 to Lido which is nearly a half hour walk from here. It took almost an hour. That was one very interesting hour as the streets were filled with people celebrating the New Year weekend too and enjoying the time off. I took this picture of the Chinese warrior with his red flag just as we were about to catch a cab to come back home.
The Vegetable Museum

Saturday, January 3, 2008 We walked to 798 Art Zone to see the exhibits at Paris Beijing Photo Gallery where we saw The Vegetable Museum, work by Lu Duoqi. I found it fascinating. Here is some of what she says about her work:
In the summer of ’06, I bought several kilograms of peas, and sat there quietly for two days peeling them, before stringing them on a wire and turning them into a skirt, a top, a headdress and a magic wand. I used a remote control to take a photo of myself in them, and named it Pea Beauty Pageant. That was my first work of vegetable art.
In the two years that followed, I often dressed up as a housewife, leisurely strolling to the market in a serious search for fun. I would often pace in front of the vegetable stalls, picking things up, thinking and putting them back, trying to figure out which positions made them more interesting. The different types, shapes and colors of the vegetables, with a bit of rearranging, can make for a rich source of imagery. Fresh, withered, rotting, dried, pickled, boiled, fried, they all come out different. I no longer needed a model, as they all became actors and even props. As a director, I directed them to restage La Liberté Guidant le Peuple, and called it La Liberté Guidant les Légumes. As a Chinese woman in this internet age, what I present to people is this kind of world famous painting. Against that fiery fried-egg backdrop, this woman who emanates onion smells from her breast and carries a spring onion spear in her left hand and a wood ear flag in her right, draped in a tofu skin robe, leads the vegetable people forward. The yam soldiers, with their bewildering little round eyes raise a cabbage banner. Having figured out what moving forward means, have they lost their momentum? Each of the potato-head soldiers has a different expression, not sure of their bearing, perhaps surprised, but that is definitely a completely unadorned potato. You wouldn’t know them any better if they were chopped into French fries and covered in ketchup, but when placed in the picture, they all appear unfamiliar and rich in facial expression. On the ground lies the body of a winter melon soldier, with rotting ketchup flowing out of his body like blood. The battleground is strewn with rotting vegetable leaves. This great story of history, this world-famous painting, here becomes completely absurd. How do you approach this famous painting, do you really know its historical background? Do you know what meaning the painter wished to convey? I believe that the world is the world as I understand it, and none other.

I am happy that I have found a way of life for women who love the home. I have found an environmental way of bringing work and life together. From imagination to reconstruction and postproduction, it burns through tons of boring hours. A housewife, who doesn’t have to get up in the morning, wakes up at two a.m. to fry up the carrot that just served as Napoleon’s head. As a medium that decodes time, photography is my favorite. Everything has a spirit, each vegetable, each person, and each second, under careful observation, has extraordinary meaning. What makes me happy is that when I see Napoleon on his Potato, I can think back to when I fried him up and ate him at two in the morning in the summer of ’08. Through photographs, memory becomes sentiment. I never leave the house, and when I do I rarely travel more than 15 kilometers. In a studio, with a knife, a box of toothpicks and some vegetables, I can make small sculptures and slap together big scenes, using a woman’s most effortless and thrifty method of fantasizing about the larger world.



http://parisbeijingphotogallery.com/main/juduoqiworks.asp
Ju Duoqi
The Vegetable Museum
Friday, January 2, 2009
Odds and Ends
Phrik Thai
The hostess took our picture. Dave looks thrilled to be here, doesn't he? Actually, she took two pictures. You should see how thrilled he looks on the other one.
Did I mention ambience? The dinnerware is beautiful cobalt blue and gold. That is a pure silver cup from which I drank ice water...bing shui. Usually, when I ask for ice water all I get is cold water. Drinking ice water from a pure silver cup is an sensational experience.
Bowling on New Year's Day
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